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Groundbreaking new creative tools provide innovative ways to design for the latest devices. With exceptional power and precision, you can create inspiring experiences that go anywhere. Remove or move selected image objects, and Content-Aware technology magically fills, patches, extends, or recomposes your image with stunning results.
Dive into 3D artwork creation with intuitive on-canvas and in-context scene editing. Drag shadows into place, animate 3D objects, and give 3D objects a sketched look. Bring image-editing power to video. Enhance any clip using the full range of familiar tools in Photoshop Extended, and then combine clips and stills with transitions, audio, and effects.
Quickly create photographic blur effects using a simple interface with on-image controls. Create tilt-shift effects, sharpen one focal point, or vary the blur among many focal points. Experiment freely with different types of repeating patterns that can be edited at any time for maximum design flexibility.
Confidently convert raster images to editable vectors with a powerful tracing engine in Illustrator. Get clean lines, accurate fitting, and reliable results using simple, intuitive controls.
Apply gradients to your strokes along the length, across the width, or within the stroke itself all with complete control over gradient placement and opacity. Trim clips directly in the timeline via keyboard entry or in the Program monitor using JKL shortcuts. Use rolling shutter removal to eliminate skew and wobble without forcing stabilization. Track elements in 3D space with depth of field, shadows, and reflections.
Automatically analyze and place 3D track points onto 2D footage while you work, in the background. Extrude fully ray-traced text and shapes natively and take full advantage of reflections, environment maps, and more. Create a separate set of splines to precisely control mask feathering. Get the exact shape you want with the proper degree of softness at any point along the mask edge, resulting in a big boost to creative flexibility.
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Last updated:. May 23, User rating:. Simplified 3D design in Photoshop Extended Dive into 3D artwork creation with intuitive on-canvas and in-context scene editing.
Blur Gallery in Photoshop Extended Quickly create photographic blur effects using a simple interface with on-image controls. Powerful image tracing in Illustrator Confidently convert raster images to editable vectors with a powerful tracing engine in Illustrator.
Gradients applied to strokes in Illustrator Apply gradients to your strokes along the length, across the width, or within the stroke itself all with complete control over gradient placement and opacity. Ray-traced, extruded text and shapes in After Effects Extrude fully ray-traced text and shapes natively and take full advantage of reflections, environment maps, and more.
Variable mask feathering in After Effects Create a separate set of splines to precisely control mask feathering. Search Downloads. IrfanView PlugIns. Nvidia Canvas. Adobe Camera Raw. Affinity Photo. Blender for Mac. The Gimp.
Adobe indesign cs6 length free. Adobe InDesign
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Photoshop has been in the English lexicon as a term to edit images for a long time, but the latest version of Adobe’s flagship program stretches the canvas of manipulation much further than ever before. The look of the program has changed so little from Photoshop CS4 that users of that version should be instantly comfortable with this major update, but Photoshop Creative Suite 5 Extended gives photographers, artists, designers, and LOLcats obsessives a stunning array of new tools.
Among the new features in Adobe’s flagship image-editing software are automatic lens corrections, High Dynamic Range toning, automated editing tools, and significant improvements to creating 3D images. Installation and setup Photoshop installation is straightforward, although it does require an Adobe account. You can choose to purchase a license key immediately, which you will receive by e-mail, or try out the program for 30 days.
When you receive your key, you can copy and paste the entire string directly from your e-mail into the first dialog box, and the other boxes will automatically populate.
Depending on your Internet connection, Adobe says that users can expect download times of anywhere from 14 minutes on a corporate LAN to nearly 90 minutes on slower connections. The Adobe installation process doesn’t play well with Mozilla programs such as Firefox and Thunderbird, so those must be shut down before the installation can be finished. You can use other programs while installing, but CPU slowdowns are likely on many computers.
Adobe still refuses to have a Windows installation process that’s respectful of standard program installation behavior. Associated program icons do not install into an Adobe folder in your Start menu, but are rather unceremoniously dumped into your Start menu’s All Programs pane. First-time upgraders should note that Adobe will not override your previous installation of Photoshop, so you’ll have to remove it manually.
This may be annoying to some, but it’s actually reasonable behavior given the cost of the program and the desire of many users to fully explore the trial. It would be nice if Photoshop came with a utility for removing previous versions, instead of having to go through the imperfect Windows uninstallation tool. The installation and uninstallation frustrations aren’t deal-breakers, obviously, but a little bit more attention here from Photoshop would result in a smoother process.
Interface Unlike the dramatic interface overhaul that accompanied its predecessor, there’s so little new to the look and feel of Photoshop CS5 that it’s barely worth mentioning. The Workspace switcher has been modified so that you can drag it out of the drop-down menu across the menubar. Doing so can push the menubar itself down to a second level, which might take up too much screen space for some people.
Pre-existing workspaces can be deleted, custom ones added, and generally the workspace concept has gotten a bit more user-friendly. Toolbox icons have been redrawn with a softer touch. This has the unfortunate effect of making them look mushy and out-of-focus against their gray background. At least the iconography is the same, so the spot healing brush tool still looks like a band-aid, but this was not a welcome change. Despite lacking the aesthetic sensibility of its cousin Lightroom 3 Windows Mac , the overall layout of Photoshop remains consistent.
It’s not easy to use, nor is it hard to get used to the modular layout of adjustable panels. Further optional improvements can be made courtesy Adobe Labs’ Configurator , for customizing some parts of the navigation.
Although the CS4 interface improvements were appreciated, the UI is essentially mundane and in desperate need of refinement. It’s sadly ironic that the premiere image editor looks like a cockpit.
Features and support The new features in Photoshop CS5 completely sell the program. It’s a bit hard to fathom that a program that’s been around for 20 years continues to innovate and improve as much as Photoshop has, but this version of Photoshop, officially v12, doesn’t just stretch itself here.
It expands the limits of editing achievement, simplifying previously complex tasks and introducing new ones. It’s not reinventing the wrench as much as it’s making it do new things that everybody can immediately understand.
This review won’t cover all the new features and enhancements since there are more than three dozen feature changes alone, but we’ll look at some of the best and most important.
The new Mini Bridge should directly affect every user’s workflow. It opens a functional version of Adobe Bridge in a panel, speeding up processing by cutting down how often users have to jump out of the main Photoshop interface.
Mini Bridge can be launched from the top of the interface to the right of the menubar, from the MB icon. As with any of Photoshop’s panels, the Mini Bridge can be resized and moved around the window as needed.
On first launch, the Mini Bridge took longer than expected to read files before it could be used. After that initial sluggishness, it loaded smoothly, even after rebooting the computer. It was noticeably faster to launch images from either Bridge or Mini Bridge into Photoshop compared with the previous version, but sticking Bridge access directly into Photoshop is a long-overdue innovation.
Automatic Lens Correction automates a task that previously could be completed by hand only. As CNET has noted elsewhere , Adobe based the tool on close measurements of multiple camera bodies and lenses so that Photoshop can take over the time-consuming effort of removing barrel and pincushion distortion, darkened corners from vignetting, and colored fringe on the edge of images from chromatic aberration.
You can tell that Adobe expects this feature to be a big selling point because it’s one of the few new features that comes bound to a hot key. You can toggle on or off vignetting, chromatic aberration, and lens distortion correction, which are the three major fixes that the filter looks for; adjust how the filter affects the edge of the image; edit camera and lens profile search criteria; or create custom profiles.
The camera profiles seemed to be limited in our testing to more-recent models. For example, the tool lacked profiles for Canon bodies older than the 50D. A new feature in the Merge to HDR panel called Remove Ghost will tidy up any minor alignment issues between your three HDR source images, and you can select which of the three images to base the final image on.
This works fairly decently, but expect best results on images that have tricky lighting situations or are underexposed. Content Aware Fill improves Photoshop’s ability to intelligently replace part of an image with pixels derived from other, nearby colors, noise, and tone.
The feature can be used as part of the spot healing brush tool for fine replacements, or lassoed selections to replace large or unusually shaped chunks from an image.
The feature introduces a redone method of resampling from the image. The differences between how the tool performs here versus in CS4 are not readily apparent since the changes in pixelation and accuracy depend too greatly on the situation. Tests with the spot healing brush revealed no differences to its CS4 predecessor, but that doesn’t mean its not working. In general, it felt like there was less of a problem with incorrect sampling, but this wasn’t really quantifiable, as it still occurred in some cases.
One of the most difficult Photoshop tricks has just gotten strikingly easier thanks to what Adobe calls ” intelligent selection. It worked extremely well with hair, and slightly less so with the more discernible echidna spikes. It sounds simple, but the introduction of the Smart Radius and Decontaminate colors functions in intelligent selection provides a stunning breadth of control during image masking.
Following the tutorials for this is essential, because learning to do it right can impressively enhance your image control while cutting down on your workflow from CS4.